Showing posts with label literary. Show all posts
Showing posts with label literary. Show all posts

Saturday, September 20, 2025

THE HISTORY OF LOVE Revisited


THE HISTORY OF LOVE

BY NICOLE KRAUSS | PUBLICATION: JANUARY 1, 2005
NORTON | GENRE: LITERARY FICTION
RATING: ★★★★★

"This book was hard to forget."


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Fourteen-year-old Alma Singer is trying to find a cure for her mother's loneliness. Believing she might discover it in an old book her mother is lovingly translating, she sets out in search of its author.

Across New York an old man called Leo Gursky is trying to survive a little bit longer. He spends his days dreaming of the lost love who, sixty years ago in Poland, inspired him to write a book. And although he doesn't know it yet, that book also survived: crossing oceans and generations, and changing lives...

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A Reflection Across Time and Isolation

In 2013, I wrote a review of Nicole Krauss’s The History of Love that tried—however inadequately—to capture the emotional gravity of the novel. I described it as a book that moved me to tears and laughter, often within the same page. It was a story that felt too vast for words, yet too intimate to ignore.

Now, more than a decade later, I return to it not just as a reader, but as someone who has lived through a global shift. The COVID-19 pandemic changed the way we see ourselves, especially the way we see the elderly. And in that shift, Leo Gursky’s quiet desperation to be remembered feels more urgent, more universal.

Leo Gursky: Then and Now
Leo Gursky’s fear of being forgotten—his desperate need to be seen—is one of the most enduring emotional threads in The History of Love. He was afraid of dying alone, of being invisible. In 2005, when the book was published, that fear felt poetic. Today, it feels prophetic. In the years since the book’s release, the world has changed dramatically, especially in how older adults navigate visibility and connection.

During the pandemic, countless seniors were isolated—cut off from family, community, and routine. Many died without the comfort of presence, without the rituals of remembrance. Leo’s fear became reality for too many. His outrageous acts to be seen—dropping things in public, making noise—mirror the silent pleas of those who simply wanted someone to remember they were still here.

Technology helped some. Video calls, social media, and digital archives offered new ways to connect. But Leo’s story reminds us that visibility isn’t just about being online—it’s about being remembered, being valued, and being loved. And while technology offers new avenues, it’s the human connections behind the screens that truly matter.

If Krauss Wrote The History of Love Today…
Nicole Krauss’s writing already dances with metaphysical questions and emotional truths. Post-pandemic, I imagine her lens would be even more introspective, more attuned to the quiet devastations and unexpected connections that defined those years. I imagine a different kind of Leo. One who struggles with Zoom, who writes tweets no one reads, who leaves voice messages that go unheard. His invisibility would be digital, not just physical. The book within the book might be a forgotten PDF, a digitized manuscript buried in cloud storage. The idea of legacy would shift from paper to pixels, raising questions about permanence in a world of endless scroll. Krauss’s themes—memory, displacement, love—would deepen. The novel might explore how time collapsed during lockdowns, how grief became disoriented without touch, and how connection became both more possible and more elusive.

“At the end, all that's left of you are your possessions.
Perhaps that's why I've never been able to throw anything away.
Perhaps that's why I hoarded the world: with the hope that when I died,
the sum total of my things would suggest
a life larger than the one I lived.”


Why This Book Still Matters?
The History of Love is a mirror. It reflects our longing to be remembered, our fear of vanishing, and our hope that love—once written, once felt—can ripple through time. Revisiting it now is a literary nostalgia. It’s a reckoning. It’s a way to honor those who felt invisible, to remember those we lost, and to remind ourselves that being seen is a human need that transcends age, technology, and even pandemics.

Closing Reflection
This book was hard to forget.
In a post-pandemic world, where silence and absence have left their mark, the profoundness of being merely remembered feels sacred. And I marvel.


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About the Author:

Nicole Krauss has been called “one of American’s most important novelists and an international literary sensation” by the New York Times, “a contemporary master,” by Esquire, and “one of American’s greatest writers” by the Financial Times. She is the author of the international bestsellers, Forest Dark, Great House (a finalist for the National Book Award and the Orange Prize) and The History of Love, which won the Saroyan Prize for International Literature and France’s Prix du Meilleur Livre Étranger, and was short-listed for the Orange, Médicis, and Femina prizes. Her first novel, Man Walks Into a Room, was a finalist for the Los Angeles Times Book of the Year. Her short stories have been published in The New Yorker, The Atlantic, Harper’s, Esquire, and Best American Short Stories, and were collected in To Be a Man, which received the Wingate Award. She was the inaugural Writer-in-Residence at the Zuckerman Mind, Brain and Behavior Institute at Columbia University, and has received fellowships from the Guggenheim Foundation, the American Academy in Berlin, and the Cullman Center at the New York Public Library. Her books have been translated into 38 languages. Photo by Goni Riskin.



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Wednesday, August 20, 2025

Book Review | THE HOMEMADE GOD by Rachel Joyce


THE HOMEMADE GOD

BY RACHEL JOYCE | PUBLICATION: JULY 8, 2025
DOUBLEDAY CANADA | GENRE: LITERARY FICTION
RATING: ★★★★★

"It’s never the loudest character or the most dramatic twist—it’s the quiet truth that lingers."


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There is a heatwave across Europe, and four siblings have gathered at their family’s lake house to seek answers about their father, a famous artist, who recently remarried a much younger woman and decamped to Italy to finish his long-awaited masterpiece.

Now he is dead. And there is no sign of his final painting.

As the siblings try to piece together what happened, they spend the summer in a state of lawlessness: living under the same roof for the first time in decades, forced to confront the buried wounds they incurred as his children, and waiting for answers. Though they have always been close, the things they learn that summer—about themselves—and their father—will drive them apart before they can truly understand his legacy. Meanwhile, their stepmother’s enigmatic presence looms over the house. Is she the force that will finally destroy the family for good?

Wonderfully atmospheric, at heart this is a novel about the bonds of siblinghood—what happens when they splinter, and what it might take to reconnect them. -PRH

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"The Quiet Resurrection of a Goose: A Masterpiece"

In THE HOMEMADE GOD, Rachel Joyce once again proves that the heart of a story doesn’t need to be loud to be unforgettable. While the novel opens with the death of Vic Kemp—the flamboyant artist and flawed patriarch—it’s his son Goose who quietly steals the narrative. Often overlooked, Goose becomes the emotional compass of the novel.

Rachel Joyce is a genius at crafting fractured, complex characters who feel heartbreakingly real. Here, she places four siblings—Netta, Susan, Goose, and Iris—inside the sweltering heat of an Italian summer, in a lakeside villa that holds more ghosts than memories. What begins as a mystery surrounding their father Vic’s death and missing masterpiece soon reveals itself to be something deeper: a portrait of a family in quiet collapse.

The first part of the novel is deceptively warm. The siblings, despite their differences, share a bond forged in childhood and shaped by their adoration for their father. But Joyce, as always, knows how to shift the light. The second part dives into the undercurrent—the unspoken wounds, the buried resentments, the truths too painful to name. It’s here the novel breaks open. And it’s here that Goose, the third in the pack, begins to rise.

What struck me most was how Joyce, as she always does, finds her center (which I'd like to discuss in detail on a different post). It’s never the loudest character or the most dramatic twist—it’s the quiet truth that lingers. Goose reminded me so much of Benji from Fredrik Backman’s books. Both are beautiful, broken men who carry their pain with grace. Goose, despite his damage and breakdowns, remains open. Joyce paints him with aching tenderness: a failed artist, a wounded child, a man searching for something that doesn’t hurt to hold. And when Billy enters the story—a miracle in human form—everything changes. Billy is the kind of person everyone needs: gentle, firm, enveloping. His love doesn’t fix Goose; it allows him to heal. Goose's journey back to art, and into the arms of Billy, is not just a subplot—it’s a resurrection. In a family fractured by ego and grief, Goose chooses creation over destruction. His love story is gentle, his healing slow, but every step feels earned.

This book is slow. It takes its time. It cries out all its tears. And then, with quiet courage, it opens its palms to love again. Goose’s return to art, and his acceptance of love, is the novel’s heartbeat. In a story filled with grief and legacy, he chooses creation. He chooses peace.

In the final chapter, Bella-Mae’s masterpiece reminds us that art isn’t made from what’s pristine—it’s made from what’s lived. Broken things, forgotten things, everyday things. Together, they form something divine. And in that image, the Kemp family finds not just closure, but grace.

This novel doesn’t offer easy redemption. It offers something better: the possibility of peace. And Goose, with his paintbrush and his quiet heart, shows us how to get there. The Homemade God is a book of hope, of healing, and of art—the art of loving and being loved.


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About the Author:
Rachel Joyce is the author of the Sunday Times and international bestsellers The Unlikely Pilgrimage of Harold Fry, The Love Song of Miss Queenie Hennessy, and Perfect. The Unlikely Pilgrimage of Harold Fry was short-listed for the Commonwealth Book Prize and long-listed for the Man Booker Prize and has been translated into thirty-six languages. Joyce was awarded the Specsavers National Book Awards New Writer of the Year in 2012. She is also the author of the digital short story A Faraway Smell of Lemon and is the award-winning writer of more than thirty original afternoon plays and classic adaptations for BBC Radio 4. Rachel Joyce lives with her family in Gloucestershire. Photo by Justin Sutcliffe



*Penguin Random House provided the eARC
in exchange for this unbiased review.
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Tuesday, August 5, 2025

Book Review | SLANTING TOWARDS THE SEA by Lidija Hilje


SLANTING TOWARDS THE SEA

BY LIDIJA HILJE | PUBLICATION: JULY 8, 2025
SIMON & SCHUSTER | GENRE: LITERARY FICTION
RATING: ★★★★✬

"This isn’t a book that shouts—it whispers, aches, and lingers."


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Spanning twenty years and one life-altering summer in Croatia, Slanting Towards the Sea is at once an unforgettable love story and a powerful exploration of what it means to come of age in a country younger than oneself.

Ivona divorced the love of her life, Vlaho, a decade ago. They met as students at the turn of the millennium, when newly democratic Croatia was alive with hope and promise. But the challenges of living in a burgeoning country extinguished Ivona’s dreams one after another—and a devastating secret forced her to set him free.

Now Vlaho is remarried and a proud father of two, while Ivona’s life has taken a downward turn. In her thirties, she has returned to her childhood home to care for her ailing father. Bewildered by life’s disappointments, she finds solace in reconnecting with Vlaho and is welcomed into his family by his spirited wife, Marina. But when a new man enters Ivona’s life, the carefully cultivated dynamic between the three is disrupted, forcing a reckoning for all involved.

Set against the mesmerizing Croatian coastline, Slanting Towards the Sea is a cinematic, emotionally searing debut about the fragile nature of potential and the transcendence of love.

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"A Quiet Storm of Emotion Beneath Still Waters"

SLANTING TOWARDS THE SEA is a masterclass in subtle storytelling. On the surface, it’s a quiet novel—its pace gentle, its tone restrained—but beneath that stillness lies a powerful emotional current. The silence in this book isn’t empty; it’s charged with grief, longing, and the unspoken truths that shape our lives.

The story follows a woman returning to her coastal hometown, meant to take care of her ailing father. What begins as a simple act of "moving forward" becomes a profound reckoning with memory, identity, and the fragile threads of family. The sea, ever-present and symbolic, mirrors the protagonist’s inner world: calm on the surface, turbulent underneath.

Lidija Hilje’s prose is lyrical and hypnotic, weaving melancholy and memory with precision. It’s not just about lost love—it’s about the cost of silence, the weight of sacrifice, and the fragility of potential. Her eloquence almost acts as a counterpoint to the emotional repression her characters endure.

What makes the novel so compelling is how Hilje uses language to illuminate absence—the things left unsaid, the moments swallowed by pride, fear, or shame. Ivona’s internal monologue is rich and expressive, yet her actual interactions are often clipped, restrained, or evasive. That tension between inner eloquence and outer silence is where the novel truly sings. Hilje seems to understand that language can be both bridge and barrier. Her prose is lush, but her characters are emotionally parched. That contradiction is what makes the novel so haunting.

The blurred line between sacrifice and surrender is one of the novel’s central heartbreaks. Ivona’s decision is framed as noble, but it’s steeped in fear—fear of inadequacy, of being a burden, of not living up to the imagined future she believes Vlaho deserves. Her refusal to speak her truth isn’t just restraint—it’s a kind of disappearance. She vanishes from the relationship without explanation.

It’s a story that challenges the idea that love is always selfless. Sometimes, true love demands vulnerability, not withdrawal. And Hilje seems to suggest that the most painful regrets come not from what we did, but from what we never dared to say.

There’s a profound question, and one that Slanting Towards the Sea never answers outright, but constantly circles. If our choices define us, then Ivona is a woman shaped by absence, by the things she didn’t say, didn’t do, didn’t fight for. And yet, she’s not passive. Her silence is deliberate. Her withdrawal is chosen. That makes her both tragic and powerful.

So how do we define her? Perhaps as a woman who chose dignity over desire, silence over vulnerability, and ended up haunted by both. She’s not a cautionary tale—she’s a reflection of how complex, and sometimes self-destructive, love can be when filtered through fear and pride.

This isn’t a book that shouts—it whispers, aches, and lingers. It’s for readers who appreciate introspective literary fiction, where the most powerful moments are often the quietest. Reading SLANTING TOWARDS THE SEA feels like standing at the edge of something vast and unknowable. It’s introspective, poetic, and deeply human. If your book club is looking for a story that lingers, that invites reflection and conversation, this is the one.


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About the Author:
Lidija Hilje is a Croatian novelist and certified book coach. Her writing has appeared in The New York Times and other outlets. After ten years of trying cases before Croatian courts, she obtained a book coaching certification and has been working professionally with writers ever since. She lives in Zadar, Croatia, with her husband and two daughters. Slanting Towards the Sea is her first novel.
Photograph © Suzy New Life Photography



*Simon & Schuster provided the eARC
in exchange for this unbiased review.
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Saturday, April 5, 2025

Book Review | GLIFF by Ali Smith


GLIFF

BY ALI SMITH | PUBLICATION: FEBRUARY 4, 2025
PANTHEON | GENRE: LITERARY FICTION
RATING: ★★★★

"An affirmation to a word-bending and storytelling brilliance!"


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From a literary master, a moving and genre-bending story about our era-spanning search for meaning and knowing.

An uncertain near-future. A story of new boundaries drawn between people daily. A not-very brave new world.

Add two children. And a horse.

From a Scottish word meaning a transient moment, a shock, a faint glimpse, Gliff explores how and why we endeavour to make a mark on the world. In a time when western industry wants to reduce us to algorithms and data—something easily categorizable and predictable—Smith shows us why our humanity, our individual complexities, matter more than ever.

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This is a late review, and I need to apologize for that. Because how do we review an Ali Smith? It's difficult... But let me try.

Ali Smith's GLIFF reaffirms her genius as a literary powerhouse, blending a near-future dystopian narrative with profound reflections on humanity. The title itself—a Scottish term for a fleeting moment—sets the tone for a story that is transient yet deeply affecting.

Smith crafts a world that feels both familiar and alien, where societal divides grow stark, freedoms erode, and the ominous specter of constant surveillance looms large. Her exploration of our humanity—juxtaposed against the dehumanization by algorithms and industrial powers—creates a poignant commentary on the times we live in. Yet, amidst this unsettling backdrop, Smith threads hope and individuality, reminding us why our complexities matter.

Her manipulation of language is nothing short of magical. Words bend and dance under her pen, forming a visceral connection that draws readers into her narrative. The wordplay, as ever, is quintessentially Smith—challenging, inventive, and unexpectedly delightful.

Gliff stands as a testament to Smith's brilliance in both vision and execution. It's an experience rather than mere storytelling, leaving readers not only captivated but also deeply contemplative. For fans of her work, it's another masterpiece; for newcomers, a profound introduction to her extraordinary world-building and linguistic artistry.


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About the Author:
ALI SMITH is the author of many works of fiction, including, most recently, Summer, Spring, Winter, Autumn, Public library and other stories, and How to be both, which won the Baileys Women's Prize for Fiction, the Goldsmiths Prize, and the Costa Novel of the Year Award. Her work has four times been short-listed for the Man Booker Prize. Born in Inverness, Scotland, she lives in Cambridge, England.
Photo by Christian Sinibaldi.



*Penguin Random House provided the Netgalley access
in exchange for this unbiased review.






Sunday, October 27, 2024

Book Review | DEVIL IS FINE by John Vercher


DEVIL IS FINE
  BY JOHN VERCHER | PUBLICATION: JUNE 18, 2024
CELADON BOOKS | GENRE: LITERARY FICTION
RATING: ★★★★        
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Still reeling from a sudden tragedy, our biracial narrator receives a letter from an attorney: he has just inherited a plot of land from his estranged white grandfather. He travels to a beach town several hours south of his home with the intention of selling the land immediately and moving on. But upon inspection, what lies beneath the dirt is far more complicated than he ever imagined. In a shocking irony, he is now the Black owner of a former plantation passed down by the men on his white mother’s side of the family.

Vercher deftly blurs the lines between real and imagined, past and present, tragedy and humor, and fathers and sons in this story of discovering and reclaiming a painful past. With the wit and rawness of Paul Beatty’s The Sellout, Devil Is Fine is a gripping, surreal, and brilliantly crafted dissection of the legacies we leave behind and those we inherit.

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Identity and Legacy

John Vercher's DEVIL IS FINE is a novel that delves deep into the heart of personal identity, legacy, and the intricate relationship between a father and son. The book opens with a scene that is as unforgettable as it is poignant, setting the tone for a narrative that is both intimate and expansive.

The unnamed narrator, grappling with the sudden loss of his teenage son Mal, finds himself on a journey not just of grief, but of self-discovery. The inheritance of a plantation from his estranged grandfather leads him to uncover layers of his own identity as a biracial Black man, as well as the heavy weight of a legacy left by the white side of his family.

Vercher's writing style is noted for its lyrical quality, which serves to draw readers into the narrator's world, feeling each wave of emotion as he navigates the complexities of his past and present. It is all-consuming. The novel is a masterful blend of reality and imagination, humor and tragedy, and the bonds that tie fathers to their sons.

DEVIL IS FINE challenges readers to consider the legacies we inherit and those we leave behind. It's a story that is as much about the personal inner struggles of its protagonist as it is about the broader societal issues of race and heritage. With a narrative that is both darkly humorous and deeply moving, Vercher has crafted a novel that resonates with the complexities of being human, the pain of loss, and the hope of reconciliation.

A power of storytelling in exploring the depths of human emotion and the ties that bind us across generations. DEVIL IS FINE is a compelling read for anyone interested in the nuanced exploration of identity, the enduring impact of family history, and the redemptive power of facing one's past. It stands as a poignant reminder of the stories we carry within us and the importance of confronting them with courage and honesty.


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About the Author:
John Vercher lives in the Philadelphia region with his wife and two sons. He has a Bachelor’s in English from the University of Pittsburgh and an MFA in Creative Writing from the Mountainview Master of Fine Arts program. John serves as an Assistant Teaching Professor in the Department of English & Philosophy at Drexel University and was the inaugural Wilma Dykeman writer-in-residence at the University of North Carolina, Asheville. His debut novel, Three-Fifths, was named one of the best books of the year by the Chicago Tribune and Booklist. It was nominated for the Edgar and Strand Magazine Critics’ Awards for Best First Novel. His second novel, After the Lights Go Out, called “shrewd and explosive” by The New York Times, was named a Best Book of Summer 2022 by BookRiot and Publishers Weekly, and named a Booklist Editor’s Choice Best Book of 2022.
Photo from Celadon.com, No infringement intended.



*Thanks to Celadon Books for the printed ARC
in exchange for this unbiased review.







Tuesday, October 25, 2022

Book Review | THE WINNERS by Fredrik Backman


THE WINNERS

BY FREDRIK BACKMAN | PUBLICATION: SEPTEMBER 27, 2022
ATRIA BOOKS | GENRE: LITERARY FICTION
RATING: ★★★★★

"The most profound and complex portrait of community Backman has ever created."


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Two years have passed since the events that no one wants to think about. Everyone has tried to move on, but there’s something about this place that prevents it. The residents continue to grapple with life’s big questions: What is a family? What is a community? And what, if anything, are we willing to sacrifice in order to protect them?

As the locals of Beartown struggle to overcome the past, great change is on the horizon. Someone is coming home after a long time away. Someone will be laid to rest. Someone will fall in love, someone will try to fix their marriage, and someone will do anything to save their children. Someone will submit to hate, someone will fight, and someone will grab a gun and walk towards the ice rink.

So what are the residents of Beartown willing to sacrifice for their home?

Everything.

The long-awaited conclusion to the beloved New York Times bestselling and “engrossing” (People) Beartown series—which inspired an HBO series of the same name—follows the small hockey town’s residents as they grapple with change, pain, hope, and redemption.

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Obviously, I’m a huge Fredrik Backman fan. I love how his books explore groups of people whose lives intertwine—whether by circumstance or coincidence. Only he has these ideas of an old man, a cleaner, an orphan, or a burglar that can change peoples’ lives in strange unexpected (sometimes awkward) ways. It is both clever and deeply insightful.

The Beartown trilogy is, in my opinion, the most profound and complex portrait of community Backman has ever created. Beartown and Hed are hockey towns in every sense. Their lives revolve around the sport—it brings out the best and the worst in them. And in THE WINNERS, the trilogy’s final installment, Backman maps out tragedy, rivalry, friendship, politics, and belonging with astonishing depth. There’s no inch of either town untouched by the sweeping events.

Some residents tried to leave, only to discover that hockey isn’t something you can shed. Others moved in, believing they were separate from it, only to find themselves drawn into the game’s orbit. For most players, hockey is the very air they breathe. They believe that it is life itself. There are resentments, conflicts, and intrigue—but also compassion, compromise, and accountability. That’s how Beartown raises a child: with ice beneath her feet and the limitless sky above her.

This story isn’t about a forest town or the landscape. Hell, it’s not even about hockey. It’s about people—a community that felt pain but had no words for it. So, it manifested in different ways. Backman gave them those words. I wish these people knew that readers understand. That we felt it. And despite the distance between reality and fiction, I hope they felt the love we’re sending.

The story may have started with Peter or Maya and ended with Alicia—but the silent, beating heart of this trilogy is Benji. Benjamin Ovich. I love this boy. Beartown once expected Benji to be their messiah. Something they once expected from Peter long ago. But Benji never asked for honor or fame. He simply wanted to be loved and accepted—to be needed, just because. Maybe he found that in the end. I hate to think of Beartown moving on without him. But I also marvel at its ability to move forward at all.

I braced myself for pain throughout the book, and the bittersweet feeling never left me after finishing it. Even now, I can still hear a puck hitting a wall, a guitar playing softly, and a beautiful boy sitting up in a tree, facing the wind. I know life continues in that forest town.



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About the Author:

Fredrik Backman is the #1 New York Times bestselling author of A Man Called Ove, My Grandmother Asked Me to Tell You She’s Sorry, Britt-Marie Was Here, Beartown, Us Against You, and Anxious People, as well as two novellas and one work of nonfiction. His books are published in more than forty countries. He lives in Stockholm, Sweden, with his wife and two children. Connect with him on Facebook and Twitter @BackmanLand and on Instagram @Backmansk.

Photograph © Linnéa Jonasson - Bernholm/Appendix fotografi




*Thanks to Simon & Schuster Canada for the printed ARC
in exchange for this unbiased review.