Book Review | TORCHFIRE by Moira Buffini

TORCHFIRE

The Torch Trilogy Series , Vol. 2
BY MOIRA BUFFINI | PUBLICATION: AUGUST 28, 2025
FABER AND FABER | GENRE: YOUNG ADULT FANTASY / DYSTOPIA
RATING: ★★★★

"Readers will be challenged, justified, and confronted,
often in the same chapter."

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Welcome to a world where songlight is either your greatest power—or your greatest curse.

Elsa is on the run and is urgently seeking a safe haven.
Nightingale is being held captive and forced to use her songlight against her own people.
Piper has been promoted up the ranks of the Airmen, where nothing but bloodshed is demanded of him.
Rye has stumbled across an incredible airship, the likes of which has never been seen before . . .
All four are united by their desire for peace. But peace between the Aylish and Brightland feels more fragile than ever.

And there is a new threat, not just to Brightland, but to Ayland and the world beyond. The airship that Rye has discovered is owned by a race of elite Torches, recently returned to Earth.

The future of civilisation is on a knife edge, with those from Brightland wanting to stamp out songlight, those from Ayland wanting harmony and those from Sealand wanting songlight to rein, whatever the costs . . .

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Moira Buffini’s TORCHFIRE plunges us straight into the fray where Songlight (2024) left off, wasting no time in rekindling the tension, heartbreak, and hope that defined the first installment. The stakes are higher, the world broader, and the emotional toll deeper.

Elsa, Nightingale, Piper, and Rye return with new scars and sharper edges, joined by fresh perspectives that expand the narrative’s reach. Buffini juggles multiple POVs with remarkable precision—never losing momentum, never wasting a page. The pacing is relentless yet deliberate, building a slow, desperate crescendo that left me breathless and hungry for more.

The plot development is rich and immersive, but it’s the thematic expansion that truly sets Torchfire ablaze. Buffini doesn’t shy away from the raw parts—grief, betrayal, complicity, survival. These themes aren’t just explored; they’re felt. Readers will be challenged, justified, and confronted, often in the same chapter.

The characters are fully realized, flaws and all. Buffini doesn’t deal in shades of gray so much as she paints with bruised color—characters who are not whitewashed, not villainized, but deeply human. Their pain is palpable, and their choices—however flawed—are rooted in survival and belief. Even the villains are affecting; you hold your breath when they enter the page, not out of fear alone, but out of recognition.

What lingers most after finishing Torchfire is the way Buffini interrogates the concept of humanity itself. In this world, those who carry songlight are branded as “unhuman”—a label meant to isolate, devalue, and erase. Yet the very act of songlight, of shared thought and feeling, is what binds people together. The joining of songlight is called “harmony”—and isn’t that exactly what our world needs right now?

Buffini doesn’t just pose the question; she lets it burn through the narrative. Why would a right-thinking society try to rip out harmony? What are we so afraid of when people connect deeply, vulnerably, and without violence?

The new characters introduced in TORCHFIRE stand in stark contrast to this archaic belief system. They challenge the status quo with their presence. They are bringing a new world with them.

Songlight started the tune, it blends the harmony. And it is TORCHFIRE that started the blaze and starts the march onwards.

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About the Author:

Moira Buffini is an Olivier Award–winning UK playwright and BAFTA-nominated screenwriter, writing many plays for the National Theatre and the West End. Films include Tamara Drewe, Jane Eyre, Byzantium, and The Dig. She cocreated and was showrunner of Hulu's Harlots. Songlight is her debut novel. She lives in London.

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Book Review | THE NIGHTBLOOD PRINCE by Molly X. Chang

THE NIGHTBLOOD PRINCE

The Nightblood Prince Series, Vol. 1
BY MOLLY X. CHANG | PUBLICATION: JULY 1, 2025
RANDOM HOUSE | GENRE: YOUNG ADULT FANTASY
RATING: ★★★★

"Fei’s defiance of the gods, her refusal to be a pawn, and the enigmatic premise kept me hooked."

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Two princes. One prophecy. A fate she cannot outrun.

The night Fei was born, a prophecy was made: she would one day become the Empress of All Empresses.

Torn from her family as a child and raised in the palace to one day marry the Crown Prince of the most powerful empire in the land, Fei has only ever known loneliness. When the opportunity arises to seize her own destiny for the first time in her life, Fei sets out to hunt a legendary tiger, knowing it might cost her everything. What she doesn’t expect is to fall under the mercy of Yexue, the beautiful runaway prince from a rival kingdom. Blessed by the night, harboring a dangerous magic, and capable of commanding an army of deadly vampires, Yexue could be the key to Fei gaining more than just her freedom.

But to outrun destiny, Fei must spark a wave of events that will change the world as she knows it. Torn between two princes and plagued by nightmares of bloodshed, she finds that the stars might be more inescapable—and more irresistible—than she ever considered before. . . .-PRH

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A prophecy. A tiger hunt. A prince cloaked in night. THE NIGHTBLOOD PRINCE delivers a sweeping tale of destiny, defiance, and blood-soaked magic that reads like a fever dream stitched from the histories of Vlad the Impaler and Genghis Khan.

Fei, the prophesied Empress of All Empresses, is a heroine who refuses to be confined by fate. Torn from her family and raised in a palace that treats her more as a symbol than a person, Fei’s journey is one of reclaiming agency—of choosing herself over the empire’s expectations. Her inner battle is compelling, though at times confusing. She longs to be chosen for who she is, not for what she represents. And while her arc is powerful, her inability to fully “let go” until it’s too late left me aching.

The story is fast-paced, with no dull chapters to slog through—a rare treat. The love triangle trope, which I usually avoid, didn’t bother me here. Perhaps because it’s woven into a larger tapestry of royal court intrigue, enemies-to-lovers tension, and slow-burning emotional stakes. Yexue, the rival prince with dangerous magic and a vampire army, is enigmatic and beautifully written. The romance simmers rather than scorches, and I appreciated that restraint.

Fei’s defiance of the gods, her refusal to be a pawn, and the enigmatic premise kept me hooked. There were moments that made me cringe—scenes that felt a bit too dramatic or forced—but they didn’t derail the experience. The familial connections and communal responsibilities added depth, grounding the fantasy in something tender and real. And the inclusion of Chinese proverbs throughout the story adds a quiet reverence for heritage, grounding the tale in cultural memory while honoring the wisdom passed down through generations.

Who Should Read This
Beyond its fantasy trappings, The Nightblood Prince feels eerily relevant and speaks to timely themes: autonomy, identity, and the cost of being a symbol. Fei’s struggle to define herself outside of prophecy mirrors the pressure many face today to live up to inherited expectations—whether cultural, familial, or societal. Her refusal to be used as a justification for conquest mirrors a deeper truth: power rooted in brutality is not strength—it’s cowardice dressed in armor.

In a world where war is still wielded as a tool of pride and dominance, I hope the younger generation reads The Nightblood Prince. Not just for the magic and monsters, but for the mirror it holds to history. This book invites readers to reflect—to see how power has been wielded, how symbols have been used, and how empires have risen on the backs of the unwilling.

We are living in a time that feels precarious. The world teeters between progress and regression, between civility and the savagery our ancestors tried to haul us from. I do not believe in “casualties of war.” Fiction like this reminds us that destiny is not fixed. I believe in stories that challenge the arrogance of empire and remind us that choosing wisely—choosing peace, truth, and autonomy—is the bravest act of all.

“Fate is not as strong as the human heart.”
(命不如心强 — Mìng bùrú xīn qiáng)

Final Reflection
As Fei learns, and as we must remember: Fate is not as strong as the human heart. Stories like THE NIGHTBLOOD PRINCE remind us that even in the shadow of prophecy, we can choose who we become.

I peeked at the hardbound cover art by Gollancz and loved how it captured the story’s haunting tone. I’ll be waiting for Book Two, curious to see how the stars shift next.

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About the Author:

Molly X. Chang is the bestselling author of To Gaze Upon Wicked Gods and the upcoming young adult fantasy The Nightblood Prince. She’s a first-generation immigrant born in Harbin, China. Photo by Katrina Wong

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Book Review | THE LAST TIGER by Julia Riew; Brad Riew

THE LAST TIGER

BY JULIA RIEW, BRAD RIEW | PUBLICATION: JULY 29, 2025
KOKILA | GENRE: YA FANTASY
RATING: ★★★

"...the blush of first love and bridging impossible divides."

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Inspired by true stories from the authors’ grandparents’ lives during one of the darkest periods in Korean history, The Last Tiger is a debut young adult fantasy novel about the power of love to give voice to a silenced people.

In a colonized land where tigers are being hunted to extinction and ancient magic stirs, two star-crossed teens—Lee Seung, a servant yearning for freedom, and Choi Eunji, a noble girl defying tradition—join forces to try and reshape their respective fates.

But their relationship evolves from begrudging accomplices to bitter adversaries as they soon find themselves on opposite sides of a battle over the last tiger, a symbol of their people’s lost freedom and key to the liberation of their country. As the ties between Seung and Eunji are complicated by their conflicting loyalties, tensions rise—especially when a charming princeling of the empire begins to rival for Eunji's affection.

In this friends-to-enemies-to-lovers story of forbidden romance, antagonists turned allies, oppression and liberation, neither Seung nor Eunji can abandon their mission—or each other. And as they embark on separate quests to find the elusive creature, each must also find the power within themselves to make their own destiny. -PRH

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I finished this book, but not without a fight.

The Last Tiger has all the ingredients of a compelling historical fantasy: a colonized Korea under Imperial Japan, magical realism rooted in dragon spirits and ki, and a symbolic quest to protect the last tiger—a living emblem of resistance and cultural identity. The premise is rich, and the authors’ inspiration from their grandparents’ real-life love story adds emotional weight.

But despite its potential, this story didn’t resonate with me.

The central romance—between a noble girl and a servant—leans heavily into the princess/poor trope, which I’ve never found appealing. The narrative still hinges on familiar beats: forbidden love, class defiance, and a princeling rival. It felt more like a YA fantasy checklist than a fresh take.

That said, the protagonist deserves credit. Choi Eunji didn’t wait to be saved. She climbed, she fought, and she earned her place through grit and determination. Her arc was the only thing that kept me coming back, even when the rest of the narrative felt like a chore. I huffed, I puffed, I put the book down more times than I can count—but I finished it.

I admire the historical context, especially the brutal depiction of tiger executions, which echoes the violence of cultural erasure. As someone whose own grandparents lived through the Japanese occupation of the Philippines, I felt a personal connection to the themes of oppression and survival. But even that couldn’t carry me through the story’s pacing and emotional tone.

This book might speak more deeply to younger readers—those drawn to the blush of first love and bridging impossible divides.

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About the Authors:

Julia Riew is a Korean-American composer-lyricist, librettist, and novelist from St. Louis and NYC. She is best known for her viral hit Dive, a reimagining of the Korean folktale Shimcheong, which has captivated millions online and is currently being developed for the stage at the American Repertory Theater with Tony-Award winning director Diane Paulus and GLAAD-Award winning playwright Diana Son.

Brad Riew is an MFA candidate in Fiction at New York University's creative writing program. He graduated from Harvard College in 2018 with a degree in Psychology, where he won the Ecker Short Story Prize. The Last Tiger, co-written with his younger sister Julia Riew, is his first novel. Brad lives in Brooklyn, New York.

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THE HISTORY OF LOVE Revisited

THE HISTORY OF LOVE

BY NICOLE KRAUSS | PUBLICATION: JANUARY 1, 2005
NORTON | GENRE: LITERARY FICTION
RATING: ★★★★★

"This book was hard to forget."

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Fourteen-year-old Alma Singer is trying to find a cure for her mother's loneliness. Believing she might discover it in an old book her mother is lovingly translating, she sets out in search of its author.

Across New York an old man called Leo Gursky is trying to survive a little bit longer. He spends his days dreaming of the lost love who, sixty years ago in Poland, inspired him to write a book. And although he doesn't know it yet, that book also survived: crossing oceans and generations, and changing lives...

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A Reflection Across Time and Isolation

In 2013, I wrote a review of Nicole Krauss’s The History of Love that tried—however inadequately—to capture the emotional gravity of the novel. I described it as a book that moved me to tears and laughter, often within the same page. It was a story that felt too vast for words, yet too intimate to ignore.

Now, more than a decade later, I return to it not just as a reader, but as someone who has lived through a global shift. The COVID-19 pandemic changed the way we see ourselves, especially the way we see the elderly. And in that shift, Leo Gursky’s quiet desperation to be remembered feels more urgent, more universal.

Leo Gursky: Then and Now
Leo Gursky’s fear of being forgotten—his desperate need to be seen—is one of the most enduring emotional threads in The History of Love. He was afraid of dying alone, of being invisible. In 2005, when the book was published, that fear felt poetic. Today, it feels prophetic. In the years since the book’s release, the world has changed dramatically, especially in how older adults navigate visibility and connection.

During the pandemic, countless seniors were isolated—cut off from family, community, and routine. Many died without the comfort of presence, without the rituals of remembrance. Leo’s fear became reality for too many. His outrageous acts to be seen—dropping things in public, making noise—mirror the silent pleas of those who simply wanted someone to remember they were still here.

Technology helped some. Video calls, social media, and digital archives offered new ways to connect. But Leo’s story reminds us that visibility isn’t just about being online—it’s about being remembered, being valued, and being loved. And while technology offers new avenues, it’s the human connections behind the screens that truly matter.

If Krauss Wrote The History of Love Today…
Nicole Krauss’s writing already dances with metaphysical questions and emotional truths. Post-pandemic, I imagine her lens would be even more introspective, more attuned to the quiet devastations and unexpected connections that defined those years. I imagine a different kind of Leo. One who struggles with Zoom, who writes tweets no one reads, who leaves voice messages that go unheard. His invisibility would be digital, not just physical. The book within the book might be a forgotten PDF, a digitized manuscript buried in cloud storage. The idea of legacy would shift from paper to pixels, raising questions about permanence in a world of endless scroll. Krauss’s themes—memory, displacement, love—would deepen. The novel might explore how time collapsed during lockdowns, how grief became disoriented without touch, and how connection became both more possible and more elusive.

“At the end, all that's left of you are your possessions.
Perhaps that's why I've never been able to throw anything away.
Perhaps that's why I hoarded the world: with the hope that when I died,
the sum total of my things would suggest
a life larger than the one I lived.”

Why This Book Still Matters?
The History of Love is a mirror. It reflects our longing to be remembered, our fear of vanishing, and our hope that love—once written, once felt—can ripple through time. Revisiting it now is a literary nostalgia. It’s a reckoning. It’s a way to honor those who felt invisible, to remember those we lost, and to remind ourselves that being seen is a human need that transcends age, technology, and even pandemics.

Closing Reflection
This book was hard to forget.
In a post-pandemic world, where silence and absence have left their mark, the profoundness of being merely remembered feels sacred. And I marvel.

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About the Author:

Nicole Krauss has been called “one of American’s most important novelists and an international literary sensation” by the New York Times, “a contemporary master,” by Esquire, and “one of American’s greatest writers” by the Financial Times. She is the author of the international bestsellers, Forest Dark, Great House (a finalist for the National Book Award and the Orange Prize) and The History of Love, which won the Saroyan Prize for International Literature and France’s Prix du Meilleur Livre Étranger, and was short-listed for the Orange, Médicis, and Femina prizes. Her first novel, Man Walks Into a Room, was a finalist for the Los Angeles Times Book of the Year. Her short stories have been published in The New Yorker, The Atlantic, Harper’s, Esquire, and Best American Short Stories, and were collected in To Be a Man, which received the Wingate Award. She was the inaugural Writer-in-Residence at the Zuckerman Mind, Brain and Behavior Institute at Columbia University, and has received fellowships from the Guggenheim Foundation, the American Academy in Berlin, and the Cullman Center at the New York Public Library. Her books have been translated into 38 languages. Photo by Goni Riskin.

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Blog Tour | THE TORTURED KINGDOM by Bryan Asher

About the Book:

THE TORTURED KINGDOM
BY BRYAN ASHER | PUBLICATION: JANUARY 31, 2025
SIMON & SCHUSTER/SAGA PRESS | GENRE: ADULT FANTASY

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After a comet strikes the continent of Yohme, it's left in shambles. Nations lay in rubble, magic has been corrupted, and a plague has turned most of the inhabitants into flesh-eating, undead, ghouls.

Traveling this apocalyptic landscape is Evan, a bounty hunter taking missions to survive. However, his latest quest to capture a thief leads to more than he bargained for. After uncovering an ancient map, he forms a party to hunt the sacred treasure inside the most formidable dungeon.

Once inside, they'll have to overcome the trials of a god to reach it, and they're not the only ones searching.

AMAZON | GOODREADS | THE STORY GRAPH

"I really enjoy books that include trial-like elements and I was not disappointed here."
-KINDIG
"The world is very well built and makes me wonder if Asher would do another story set in the same realm."
-Sly Fox Reviews


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About the Author:

Bryan Asher is a native Washingtonian and lifelong fan of fiction in all its forms. He started out like many kids from the '90s, being enthralled by all the superhero comics and cartoons crossing his vision. His love of literary fiction came when he was handed a copy of John Bellairs, “The Chessmen of Doom” by his local librarian. Bryan still credits John Bellairs as his greatest literary influence, with his books featuring multiple illustrations and stand-alone adventures, just like Bellairs.

After years of dedication and planning, he debuted his first novel in 2020, “The Assassin of Malcoze.” The following year he released his second novel, “The Treasure of Lor-Rev,” which went on to win multiple awards.

Bryan still lives in Renton Washington with his loving wife and two awesome children. He also still has the first comic book he ever purchased (which cost a quarter in 1990).

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BBNYA Blog Tour | CLUES TO YOU by Claire Huston

About the Book:

CLUES TO YOU
WINNER of BBNYA 2024
BY CLAIRE HUSTON
PUBLICATION: SEPTEMBER 19, 2023
GENRE: ROMANCE, ADULT MYSTERY

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One murder mystery weekend. Two rival sleuths.
They’re looking for answers. But will they find love?

Kate Brannon is delighted to be attending her first murder mystery weekend in a movie-worthy Victorian manor house. Still getting over being dumped, cracking the case would be a welcome boost to her flagging confidence. And the prize money wouldn’t hurt either.

But Kate’s dreams of victory become a nightmare with the arrival of Max Ravenscroft. Smart, enigmatic and annoyingly handsome, Max is Kate’s sleuthing nemesis.

When she and Max are forced to work together, Kate despairs. But, as the investigation brings them closer, she finds being his partner in solving crime isn’t all bad.

With growing suspicions that the game is rigged against them, can Kate and Max beat the odds to find the killer? And, as their partnership deepens, can they find romance too?

A sweet romantic comedy with a cosy mystery at its heart. Perfect for fans of Kathryn Freeman, Laura Jane Williams and Katie Fforde.

This rivals-to-lovers romance is a standalone romcom and part of the Love in the Comptons collection.

AMAZON | GOODREADS | THE STORY GRAPH

" It’s a story about friendship, personal growth, self-esteem, and trust — all wrapped up like a gift in a light romance. "
-Gina Rae Mitchell
"This was a fast paced read throughout, and there wasn’t a single dull moment."
-Worlds Unlike Our Own
"All the stars for this incredible read which mixes a perfect blend of cosy mystery and romance."
-Karla_Bookishlife

[BBNYA is a yearly competition where book bloggers from all over the world read and score books written by indie authors, ending with 15 finalists (16 in 2024) and one overall winner.

If you want some more information about BBNYA, check out the BBNYA Website or take a peek over on Twitter @BBNYA_Official. BBNYA is brought to you in association with the @Foliosociety (if you love beautiful books, you NEED to check out their website!) and the book blogger support group @The_WriteReads.]

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About the Author:

Claire Huston lives in Warwickshire, UK, with her husband and children. She writes uplifting modern love stories about characters who are meant for each other but need a little help to realise it.

A keen amateur baker, she enjoys making cakes, biscuits and brownies almost as much as eating them. You can find recipes for all the cakes mentioned in Art and Soul, her first novel, at clairehuston.co.uk along with over 150 other recipes. This is also where she talks about and reviews books.

You can also find Claire on various social media platforms.
Find your favourite here: https://linktr.ee/clairehuston_author

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Blog Tour | MARIA'S SHADOW by D.L. Cary

About the Book:

MARIA'S SHADOW
BY D.L. CARY | PUBLICATION: APRIL 19, 2025
GENRE: THRILLER

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Maria's Shadow by D.L. Cary is a gripping thriller that follows Maria Hernández, a young Salvadoran woman ensnared by the sinister Saffron Veil after chasing a Hollywood dream. Trapped in a California mansion, she escapes with a dangerous secret, pursued by the powerful Senator Edward Grayson. As Detective John Jefferson uncovers a web of corruption in North Carolina, their paths converge in a high-stakes battle against a shadowy cabal. Packed with suspense, betrayal, and relentless pursuit, this novel explores courage and sacrifice against overwhelming odds.

AMAZON | GOODREADS | STORYGRAPH

"This is a fast ride jammed packed full of crime, secrets, and power players that I would never trust. And lot’s and lot’s of action."
-Sarah Reads
"No gratuitous gore, no over-the-top language—just tight, edge-of-your-seat suspense, fully realized characters, and plot twists that kept me flipping pages like a caffeine-fueled binge. "
-Nikki


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About the Author:

D.L. Cary is a Christian suspense and clean-thriller author who loves delivering pulse-pounding intrigue without the profanity or graphic violence.

His debut series, The Veil Chronicles, drops you into covert conspiracies and spiritual warfare while championing themes of redemption, justice, and hope. If you enjoy inspirational fiction, redemptive suspense, or spiritual thrillers you can share with the whole family, you’re in the right place.

He calls Alabama home, where he lives with my best friend (and wife), Heile. Before that, they lived in North Carolina. Finishing up their crew is a rambunctious group of dogs and cats, with Alex, an orange tabby, being the newest addition.

Every page he writes is fueled by faith and by readers who crave values-driven stories where hope endures, and justice prevails.

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Book Review | THE BOOK OF LOST HOURS by Hayley Gelfuso

THE BOOK OF LOST HOURS

BY HAYLEY GELFUSO | PUBLICATION: AUGUST 26, 2025
ATRIA | GENRE: HISTORICAL FICTION
RATING: ★★★★✬

"An incredible premise with a deeply moving message."

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For fans of The Ministry of Time and The Midnight Library, a sweeping, unforgettable novel moving from pre-WWII Germany to Cold War-era America to the mysterious time space, a library filled with books containing the memories of those who bore witness to history.

Nuremberg, 1938: On the night of Kristallnacht, eleven-year-old Lisavet Levy is hidden by her father from approaching forces in a mysterious place called the time space, a library where all the memories of the past are stored inside of books. When her father doesn’t return for her, she becomes trapped, spending her adolescence walking through the memories of those who lived before. When she discovers that living timekeepers are entering the time space to destroy memories and maintain their preferred version of history, Lisavet sets about trying to salvage the past, creating her own book of lost memories. Until one day in 1949, when she meets an American timekeeper named Ernest Duquesne, who is intent on keeping her from her task. What ensues sets her on a course to change history and the time space itself forever.

Boston, 1965: Amelia Duquesne is mourning the death of her uncle and guardian, Ernest, when she’s approached by Moira, the enigmatic head of the CIA’s highly secretive Temporal Reconnaissance Program. Moira tells her about the existence of the time space—accessed only by specially designed watches whose intricate mechanisms have been lost to time—and enlists her help in recovering a strange book her uncle had once sought. But Amelia quickly realizes that the past—and the truth—are not as straightforward as Moira would like her to believe.

A sweeping, cinematic love story, this feat of imagination explores memory, time, and the lengths we will go to in order to protect the existence of those we love.

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"We Choose Love"

From the moment I saw the cover, I felt summoned. Some books whisper. This one beckons.

Hayley Gelfuso crafts a haunting, poetic timespace where memory is both sanctuary and battleground. Unlike typical multiverse narratives, this story unfolds in a library of lost hours—a purgatory of recollection, where time doesn’t bend but bruises. Azrael’s description of this realm lingers: it’s not a portal, it’s a reckoning.

The premise alone is a marvel. But it’s Gelfuso’s lyrical voice that elevates the experience. Despite the dual timelines and shifting perspectives, her prose remains fluid and evocative, never losing its emotional cadence.

Lisavet and Amelia are compelling, but it was Ernest Duquesne who pierced me most deeply. A man who loves through ruin, who chooses tenderness even when time itself conspires against him. His love story with Lisavet doesn’t just endure—it defies chronology.

Gelfuso also knows how to sculpt a villain. The antagonist is despicable in the most effective way, a force that makes the stakes feel real and raw.

"Time is the beast that makes mortals of all, one way or another.
It takes everything heedless of wealth or status."
I read this slowly. I didn’t want it to end. I left marginalias in the edges—my own memory etched into the pages. And while I won’t spoil the final chapters, I will say this: even in death, Time can still take everything. But love, when chosen again and again, leaves a trace.

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About the Author:

Hayley Gelfuso is an author and poet who works in the environmental nonprofit sector. As a writer, she is drawn to stories of the wild and wonderful that are rooted in real world history and science. Her poetry about her experiences working in the conservation field has been published in the Plumwood Mountain Journal. She lives in the Chicago suburbs with her husband.
Photograph by Angelo Gelfuso, Gelfocus Photography

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Book Review | IMPOSSIBLE CREATURES by Katherine Rundell

IMPOSSIBLE CREATURES

Impossible Creatures Series, Vol. 1
BY KATHERINE RUNDELL
ART BY ASHLEY MACKENZIE | PUBLICATION: SEPTEMBER 10, 2024
KNOPF | GENRE: YA FANTASY
RATING: ★★★★★

"It’s a rallying cry for every soul who still believes in wonder, in courage, and in the quiet power of kindness."

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The day Christopher saved a drowning baby griffin from a hidden lake would change his life forever. It's the day he learned about the Archipelago, a cluster of unmapped islands where magical creatures of every kind have thrived for thousands of years—until now. And it's the day he met Mal, a girl on the run who desperately needs his help.

Mal and Christopher embark on a wild adventure, racing from island to island, searching for someone who can explain why the magic is fading and why magical creatures are suddenly dying. They consult sphinxes, battle kraken, and negotiate with dragons. But the closer they get to the dark truth of what's happening, the clearer it becomes: no one else can fix this. If the Archipelago is to be saved, Mal and Christopher will have to do it themselves.

Katherine Rundell’s story crackles and roars with energy and delight. It is brought vividly to life with more than 60 illustrations, including a map and a bestiary of magical creatures. -PRH

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Remember Kindness

There are books that entertain. There are books that comfort. And then there are books like IMPOSSIBLE CREATURES—books that summon. Katherine Rundell’s tale of Christopher and Mal isn’t just a fantasy adventure—it’s a rallying cry for every soul who still believes in wonder, in courage, and in the quiet power of kindness.

Set between the Scottish Highlands and the Archipelago—a hidden world where mythical creatures still breathe—the story begins with a baby griffin, a boy who dares to save it, and a girl named Mal who can fly and is running from something far darker than monsters. Together, they race across islands, consult sphinxes, battle kraken, and negotiate with dragons. But the real battle? It’s against despair. Against the fading of magic. Against the kind of apathy that lets beauty die without protest.

The Archipelago feels like the kind of place that’s been waiting in the collective imagination—just out of reach, until someone like Katherine Rundell gave it form. The part that makes the Archipelago feel truly alive—not just the creatures, but the people who live alongside them. Rundell hints at entire civilizations tucked into the folds of the islands, each with their own stories, rituals, languages, and ways of understanding the impossible. Rundell doesn’t over-explain. She trusts us to feel the weight of what’s not said. That there are people we haven’t met yet, and when we do, they’ll change everything.

The Archipelago feels like a sanctuary—not just from danger, but from the noise and cruelty that seem to echo louder in our world lately. It’s a place where wonder is protected, where kindness is woven into the fabric of life, and where the impossible thrives because people believe in it together. It’s comforting to imagine that somewhere out there, tucked behind the veil of reality, there’s a place untouched by division. Where cultures coexist not in spite of their differences, but because of them. Where every creature, every person, has a place and a purpose. A world stitched together from myth and memory, where griffins soar and nereid slip through the waves, and where the impossible isn’t just possible—it’s home.

Rundell didn’t just build a world—she remembered it for us. Like she cracked open a secret door in the back of the wardrobe and said, “Here. You knew this place existed. You just forgot.”

Mal and Christopher are the archetypes of what we need more of: kids who ask hard questions, who risk safety for truth, who understand that saving the world means doing the work. And Rundell doesn’t flinch from the cost. There’s danger. There’s loss. But there’s also hope—and it’s earned, not gifted.

Christopher is the quiet heartbeat of Impossible Creatures. His magic isn’t mythical—it’s moral. And he’s the one who chooses to show up, again and again, even when the path is terrifying, even when he doesn’t fully understand what he’s stepping into. That kind of courage—the kind that’s rooted in loyalty, empathy, and instinct—is rare. And it’s beautiful.

And the way he never says no? That’s not just bravery—it’s deeply rooted love. For Gelifen, for Mal, for the Archipelago. He steps into the unknown not because he’s fearless, but because he cares. It captures something deep and ancient—like the Archipelago itself was waiting for Christopher, whispering his name through feathers and fur and wind. He didn’t stumble into destiny; he was claimed by it. Before he understood, before he agreed, before he even believed—the creatures knew. They saw the quiet strength, the kindness, the willingness to leap without asking why. That’s the kind of hero who stays with you long after the last page.

It’s rare in stories to see characters chosen not for power or prophecy, but for heart. And that’s why Mal and Christopher stays with us. They gave up their childhood innocence for something worth fighting for, accepted the quest, and they refused to be helpless. They are the kind of people the world needs more of—the kind who says yes, even when the cost is high, even when the path is unclear.

Rundell’s stories shimmer with strangeness—griffins, flying girls, impossible islands—but it’s the kindness that anchors them. Not just fleeting gestures, but the kind that demands courage, persistence, and sacrifice. She has this rare gift—she writes for young readers without ever condescending to them. Her language is lyrical, her ideas are layered, and her emotional truths are unflinching. She trusts her readers, no matter their age, to grapple with beauty and grief, with wonder and loss.

For the kind people: If you’ve ever felt the world growing colder, more cynical, more cruel—read this. Let it remind you that kindness must be taught, modeled, and fought for. That protecting innocence doesn’t mean shielding children from truth, but arming them with empathy and courage.

This book is a seed. Let’s plant it in every heart that still believes in impossible things.

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About the Author:

KATHERINE RUNDELL is the internationally bestselling author of Impossible Creatures. Her other books for children include Rooftoppers, Cartwheeling in Thunderstorms, The Wolf Wilder, The Explorer, and The Good Thieves. She grew up in Zimbabwe, Brussels, and London, and is currently a Fellow of St. Catherine’s College, Oxford. For adult readers, Rundell has written Vanishing Treasures: A Bestiary of Extraordinary Endangered Creatures and Super-Infinite: The Transformations of John Donne, which won the Baillie Gifford Prize for Non-Fiction. She was the recipient of the British Book Award for Book of the Year and Author of the Year.

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Book Review | THE HOMEMADE GOD by Rachel Joyce

THE HOMEMADE GOD

BY RACHEL JOYCE | PUBLICATION: JULY 8, 2025
DOUBLEDAY CANADA | GENRE: LITERARY FICTION
RATING: ★★★★★

"It’s never the loudest character or the most dramatic twist—it’s the quiet truth that lingers."

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There is a heatwave across Europe, and four siblings have gathered at their family’s lake house to seek answers about their father, a famous artist, who recently remarried a much younger woman and decamped to Italy to finish his long-awaited masterpiece.

Now he is dead. And there is no sign of his final painting.

As the siblings try to piece together what happened, they spend the summer in a state of lawlessness: living under the same roof for the first time in decades, forced to confront the buried wounds they incurred as his children, and waiting for answers. Though they have always been close, the things they learn that summer—about themselves—and their father—will drive them apart before they can truly understand his legacy. Meanwhile, their stepmother’s enigmatic presence looms over the house. Is she the force that will finally destroy the family for good?

Wonderfully atmospheric, at heart this is a novel about the bonds of siblinghood—what happens when they splinter, and what it might take to reconnect them. -PRH

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"The Quiet Resurrection of a Goose: A Masterpiece"

In THE HOMEMADE GOD, Rachel Joyce once again proves that the heart of a story doesn’t need to be loud to be unforgettable. While the novel opens with the death of Vic Kemp—the flamboyant artist and flawed patriarch—it’s his son Goose who quietly steals the narrative. Often overlooked, Goose becomes the emotional compass of the novel.

Rachel Joyce is a genius at crafting fractured, complex characters who feel heartbreakingly real. Here, she places four siblings—Netta, Susan, Goose, and Iris—inside the sweltering heat of an Italian summer, in a lakeside villa that holds more ghosts than memories. What begins as a mystery surrounding their father Vic’s death and missing masterpiece soon reveals itself to be something deeper: a portrait of a family in quiet collapse.

The first part of the novel is deceptively warm. The siblings, despite their differences, share a bond forged in childhood and shaped by their adoration for their father. But Joyce, as always, knows how to shift the light. The second part dives into the undercurrent—the unspoken wounds, the buried resentments, the truths too painful to name. It’s here the novel breaks open. And it’s here that Goose, the third in the pack, begins to rise.

What struck me most was how Joyce, as she always does, finds her center (which I'd like to discuss in detail on a different post). It’s never the loudest character or the most dramatic twist—it’s the quiet truth that lingers. Goose reminded me so much of Benji from Fredrik Backman’s books. Both are beautiful, broken men who carry their pain with grace. Goose, despite his damage and breakdowns, remains open. Joyce paints him with aching tenderness: a failed artist, a wounded child, a man searching for something that doesn’t hurt to hold. And when Billy enters the story—a miracle in human form—everything changes. Billy is the kind of person everyone needs: gentle, firm, enveloping. His love doesn’t fix Goose; it allows him to heal. Goose's journey back to art, and into the arms of Billy, is not just a subplot—it’s a resurrection. In a family fractured by ego and grief, Goose chooses creation over destruction. His love story is gentle, his healing slow, but every step feels earned.

This book is slow. It takes its time. It cries out all its tears. And then, with quiet courage, it opens its palms to love again. Goose’s return to art, and his acceptance of love, is the novel’s heartbeat. In a story filled with grief and legacy, he chooses creation. He chooses peace.

In the final chapter, Bella-Mae’s masterpiece reminds us that art isn’t made from what’s pristine—it’s made from what’s lived. Broken things, forgotten things, everyday things. Together, they form something divine. And in that image, the Kemp family finds not just closure, but grace.

This novel doesn’t offer easy redemption. It offers something better: the possibility of peace. And Goose, with his paintbrush and his quiet heart, shows us how to get there. The Homemade God is a book of hope, of healing, and of art—the art of loving and being loved.

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About the Author:

Rachel Joyce is the author of the Sunday Times and international bestsellers The Unlikely Pilgrimage of Harold Fry, The Love Song of Miss Queenie Hennessy, and Perfect. The Unlikely Pilgrimage of Harold Fry was short-listed for the Commonwealth Book Prize and long-listed for the Man Booker Prize and has been translated into thirty-six languages. Joyce was awarded the Specsavers National Book Awards New Writer of the Year in 2012. She is also the author of the digital short story A Faraway Smell of Lemon and is the award-winning writer of more than thirty original afternoon plays and classic adaptations for BBC Radio 4. Rachel Joyce lives with her family in Gloucestershire. Photo by Justin Sutcliffe

*Penguin Random House provided the eARC
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BBNYA Blog Tour | TRIAL OF THE ALCHEMIST by Trevor Melanson

About the Book:

TRIAL OF THE ALCHEMIST
3rd Place Finalist, BBNYA 2024
BY TREVOR MELANSON | APRIL 4, 2023
GENRE: FANTASY, MYSTERY

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Aurora’s greatest entrepreneur has been murdered, and only the truth will save Alchemist Ortez from the gallows.

Facing a heated courtroom of strangers, he must now recall the events that brought him here as a fellow alchemist probes his memory. Such is the job of alchemists: administering elixirs in order to see into the minds of men. Their dreams. Their nightmares. Their secrets.

But while everyone believes him guilty, Alchemist Ortez knows what they do not.

He was hired by the victim for a job unlike any they could imagine. Nor would they ever guess what other mysteries lie buried beneath the mountain metropolis of Aurora, a cave-enclosed city where countless gas lamps illuminate the endless night.

The Night Circus meets Inception in this mind-bending fantasy mystery. Ranked one of the 20 Best Completed stories on Royal Road and both a SPFBO and BBNYA semi-finalist, Trial of the Alchemist is "a beautifully written tale of memory and murder... that will keep readers glued to the pages until the final twist is revealed." (Before We Go Blog)

AMAZON | GOODREADS | THE STORY GRAPH

"I really enjoyed this story and am left with many questions I am going to enjoy thinking about for a while yet. Just as you should be by stories."
-Beth | Beth's Bookcase
"From the opening paragraphs to the closing pages, I was held enthralled as the mystery of who killed Everett Day was unraveled. "
-Melissa | Never enough books…

[BBNYA is a yearly competition where book bloggers from all over the world read and score books written by indie authors, ending with 15 finalists (16 in 2024) and one overall winner.

If you want some more information about BBNYA, check out the BBNYA Website or take a peek over on Twitter @BBNYA_Official. BBNYA is brought to you in association with the @Foliosociety (if you love beautiful books, you NEED to check out their website!) and the book blogger support group @The_WriteReads.]

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About the Author:

Trevor Melanson is the author of four novels, including Trial of the Alchemist, a semi-finalist of both the SPFBO and BBNYA competitions and previously one of the twenty best-rated completed stories on Royal Road. A former journalist, Trevor now spends his workdays running communications at a think tank and advancing the transition to clean energy. He lives on the scenic Sunshine Coast of British Columbia, Canada, with his wife and two cats, having gleefully abandoned the big city life that once beckoned him as a younger man.

*Content sent by @TheWriteReads for this blog's publication.
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Book Review | SLANTING TOWARDS THE SEA by Lidija Hilje

SLANTING TOWARDS THE SEA

BY LIDIJA HILJE | PUBLICATION: JULY 8, 2025
SIMON & SCHUSTER | GENRE: LITERARY FICTION
RATING: ★★★★✬

"This isn’t a book that shouts—it whispers, aches, and lingers."

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Spanning twenty years and one life-altering summer in Croatia, Slanting Towards the Sea is at once an unforgettable love story and a powerful exploration of what it means to come of age in a country younger than oneself.

Ivona divorced the love of her life, Vlaho, a decade ago. They met as students at the turn of the millennium, when newly democratic Croatia was alive with hope and promise. But the challenges of living in a burgeoning country extinguished Ivona’s dreams one after another—and a devastating secret forced her to set him free.

Now Vlaho is remarried and a proud father of two, while Ivona’s life has taken a downward turn. In her thirties, she has returned to her childhood home to care for her ailing father. Bewildered by life’s disappointments, she finds solace in reconnecting with Vlaho and is welcomed into his family by his spirited wife, Marina. But when a new man enters Ivona’s life, the carefully cultivated dynamic between the three is disrupted, forcing a reckoning for all involved.

Set against the mesmerizing Croatian coastline, Slanting Towards the Sea is a cinematic, emotionally searing debut about the fragile nature of potential and the transcendence of love.

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"A Quiet Storm of Emotion Beneath Still Waters"

SLANTING TOWARDS THE SEA is a masterclass in subtle storytelling. On the surface, it’s a quiet novel—its pace gentle, its tone restrained—but beneath that stillness lies a powerful emotional current. The silence in this book isn’t empty; it’s charged with grief, longing, and the unspoken truths that shape our lives.

The story follows a woman returning to her coastal hometown, meant to take care of her ailing father. What begins as a simple act of "moving forward" becomes a profound reckoning with memory, identity, and the fragile threads of family. The sea, ever-present and symbolic, mirrors the protagonist’s inner world: calm on the surface, turbulent underneath.

Lidija Hilje’s prose is lyrical and hypnotic, weaving melancholy and memory with precision. It’s not just about lost love—it’s about the cost of silence, the weight of sacrifice, and the fragility of potential. Her eloquence almost acts as a counterpoint to the emotional repression her characters endure.

What makes the novel so compelling is how Hilje uses language to illuminate absence—the things left unsaid, the moments swallowed by pride, fear, or shame. Ivona’s internal monologue is rich and expressive, yet her actual interactions are often clipped, restrained, or evasive. That tension between inner eloquence and outer silence is where the novel truly sings. Hilje seems to understand that language can be both bridge and barrier. Her prose is lush, but her characters are emotionally parched. That contradiction is what makes the novel so haunting.

The blurred line between sacrifice and surrender is one of the novel’s central heartbreaks. Ivona’s decision is framed as noble, but it’s steeped in fear—fear of inadequacy, of being a burden, of not living up to the imagined future she believes Vlaho deserves. Her refusal to speak her truth isn’t just restraint—it’s a kind of disappearance. She vanishes from the relationship without explanation.

It’s a story that challenges the idea that love is always selfless. Sometimes, true love demands vulnerability, not withdrawal. And Hilje seems to suggest that the most painful regrets come not from what we did, but from what we never dared to say.

There’s a profound question, and one that Slanting Towards the Sea never answers outright, but constantly circles. If our choices define us, then Ivona is a woman shaped by absence, by the things she didn’t say, didn’t do, didn’t fight for. And yet, she’s not passive. Her silence is deliberate. Her withdrawal is chosen. That makes her both tragic and powerful.

So how do we define her? Perhaps as a woman who chose dignity over desire, silence over vulnerability, and ended up haunted by both. She’s not a cautionary tale—she’s a reflection of how complex, and sometimes self-destructive, love can be when filtered through fear and pride.

This isn’t a book that shouts—it whispers, aches, and lingers. It’s for readers who appreciate introspective literary fiction, where the most powerful moments are often the quietest. Reading SLANTING TOWARDS THE SEA feels like standing at the edge of something vast and unknowable. It’s introspective, poetic, and deeply human. If your book club is looking for a story that lingers, that invites reflection and conversation, this is the one.

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About the Author:

Lidija Hilje is a Croatian novelist and certified book coach. Her writing has appeared in The New York Times and other outlets. After ten years of trying cases before Croatian courts, she obtained a book coaching certification and has been working professionally with writers ever since. She lives in Zadar, Croatia, with her husband and two daughters. Slanting Towards the Sea is her first novel.
Photograph © Suzy New Life Photography

*Simon & Schuster provided the eARC
in exchange for this unbiased review.
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