IMPOSSIBLE CREATURES
Impossible Creatures Series, Vol. 1BY KATHERINE RUNDELL
ART BY ASHLEY MACKENZIE | PUBLICATION: SEPTEMBER 10, 2024
KNOPF | GENRE: YA FANTASY
RATING: ★★★★★
"It’s a rallying cry for every soul who still believes in wonder, in courage, and in the quiet power of kindness."
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The day Christopher saved a drowning baby griffin from a hidden lake would change his life forever. It's the day he learned about the Archipelago, a cluster of unmapped islands where magical creatures of every kind have thrived for thousands of years—until now. And it's the day he met Mal, a girl on the run who desperately needs his help.
Mal and Christopher embark on a wild adventure, racing from island to island, searching for someone who can explain why the magic is fading and why magical creatures are suddenly dying. They consult sphinxes, battle kraken, and negotiate with dragons. But the closer they get to the dark truth of what's happening, the clearer it becomes: no one else can fix this. If the Archipelago is to be saved, Mal and Christopher will have to do it themselves.
Katherine Rundell’s story crackles and roars with energy and delight. It is brought vividly to life with more than 60 illustrations, including a map and a bestiary of magical creatures. -PRH
Mal and Christopher embark on a wild adventure, racing from island to island, searching for someone who can explain why the magic is fading and why magical creatures are suddenly dying. They consult sphinxes, battle kraken, and negotiate with dragons. But the closer they get to the dark truth of what's happening, the clearer it becomes: no one else can fix this. If the Archipelago is to be saved, Mal and Christopher will have to do it themselves.
Katherine Rundell’s story crackles and roars with energy and delight. It is brought vividly to life with more than 60 illustrations, including a map and a bestiary of magical creatures. -PRH
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Remember Kindness
There are books that entertain. There are books that comfort. And then there are books like IMPOSSIBLE CREATURES—books that summon. Katherine Rundell’s tale of Christopher and Mal isn’t just a fantasy adventure—it’s a rallying cry for every soul who still believes in wonder, in courage, and in the quiet power of kindness.
Set between the Scottish Highlands and the Archipelago—a hidden world where mythical creatures still breathe—the story begins with a baby griffin, a boy who dares to save it, and a girl named Mal who can fly and is running from something far darker than monsters. Together, they race across islands, consult sphinxes, battle kraken, and negotiate with dragons. But the real battle? It’s against despair. Against the fading of magic. Against the kind of apathy that lets beauty die without protest.
The Archipelago feels like the kind of place that’s been waiting in the collective imagination—just out of reach, until someone like Katherine Rundell gave it form. The part that makes the Archipelago feel truly alive—not just the creatures, but the people who live alongside them. Rundell hints at entire civilizations tucked into the folds of the islands, each with their own stories, rituals, languages, and ways of understanding the impossible. Rundell doesn’t over-explain. She trusts us to feel the weight of what’s not said. That there are people we haven’t met yet, and when we do, they’ll change everything.
The Archipelago feels like a sanctuary—not just from danger, but from the noise and cruelty that seem to echo louder in our world lately. It’s a place where wonder is protected, where kindness is woven into the fabric of life, and where the impossible thrives because people believe in it together. It’s comforting to imagine that somewhere out there, tucked behind the veil of reality, there’s a place untouched by division. Where cultures coexist not in spite of their differences, but because of them. Where every creature, every person, has a place and a purpose. A world stitched together from myth and memory, where griffins soar and nereid slip through the waves, and where the impossible isn’t just possible—it’s home.
Rundell didn’t just build a world—she remembered it for us. Like she cracked open a secret door in the back of the wardrobe and said, “Here. You knew this place existed. You just forgot.”
Mal and Christopher are the archetypes of what we need more of: kids who ask hard questions, who risk safety for truth, who understand that saving the world means doing the work. And Rundell doesn’t flinch from the cost. There’s danger. There’s loss. But there’s also hope—and it’s earned, not gifted.
Christopher is the quiet heartbeat of Impossible Creatures. His magic isn’t mythical—it’s moral. And he’s the one who chooses to show up, again and again, even when the path is terrifying, even when he doesn’t fully understand what he’s stepping into. That kind of courage—the kind that’s rooted in loyalty, empathy, and instinct—is rare. And it’s beautiful.
And the way he never says no? That’s not just bravery—it’s deeply rooted love. For Gelifen, for Mal, for the Archipelago. He steps into the unknown not because he’s fearless, but because he cares. It captures something deep and ancient—like the Archipelago itself was waiting for Christopher, whispering his name through feathers and fur and wind. He didn’t stumble into destiny; he was claimed by it. Before he understood, before he agreed, before he even believed—the creatures knew. They saw the quiet strength, the kindness, the willingness to leap without asking why. That’s the kind of hero who stays with you long after the last page.
It’s rare in stories to see characters chosen not for power or prophecy, but for heart. And that’s why Mal and Christopher stays with us. They gave up their childhood innocence for something worth fighting for, accepted the quest, and they refused to be helpless. They are the kind of people the world needs more of—the kind who says yes, even when the cost is high, even when the path is unclear.
Rundell’s stories shimmer with strangeness—griffins, flying girls, impossible islands—but it’s the kindness that anchors them. Not just fleeting gestures, but the kind that demands courage, persistence, and sacrifice. She has this rare gift—she writes for young readers without ever condescending to them. Her language is lyrical, her ideas are layered, and her emotional truths are unflinching. She trusts her readers, no matter their age, to grapple with beauty and grief, with wonder and loss.
For the kind people: If you’ve ever felt the world growing colder, more cynical, more cruel—read this. Let it remind you that kindness must be taught, modeled, and fought for. That protecting innocence doesn’t mean shielding children from truth, but arming them with empathy and courage.
This book is a seed. Let’s plant it in every heart that still believes in impossible things.
There are books that entertain. There are books that comfort. And then there are books like IMPOSSIBLE CREATURES—books that summon. Katherine Rundell’s tale of Christopher and Mal isn’t just a fantasy adventure—it’s a rallying cry for every soul who still believes in wonder, in courage, and in the quiet power of kindness.
Set between the Scottish Highlands and the Archipelago—a hidden world where mythical creatures still breathe—the story begins with a baby griffin, a boy who dares to save it, and a girl named Mal who can fly and is running from something far darker than monsters. Together, they race across islands, consult sphinxes, battle kraken, and negotiate with dragons. But the real battle? It’s against despair. Against the fading of magic. Against the kind of apathy that lets beauty die without protest.
The Archipelago feels like the kind of place that’s been waiting in the collective imagination—just out of reach, until someone like Katherine Rundell gave it form. The part that makes the Archipelago feel truly alive—not just the creatures, but the people who live alongside them. Rundell hints at entire civilizations tucked into the folds of the islands, each with their own stories, rituals, languages, and ways of understanding the impossible. Rundell doesn’t over-explain. She trusts us to feel the weight of what’s not said. That there are people we haven’t met yet, and when we do, they’ll change everything.
The Archipelago feels like a sanctuary—not just from danger, but from the noise and cruelty that seem to echo louder in our world lately. It’s a place where wonder is protected, where kindness is woven into the fabric of life, and where the impossible thrives because people believe in it together. It’s comforting to imagine that somewhere out there, tucked behind the veil of reality, there’s a place untouched by division. Where cultures coexist not in spite of their differences, but because of them. Where every creature, every person, has a place and a purpose. A world stitched together from myth and memory, where griffins soar and nereid slip through the waves, and where the impossible isn’t just possible—it’s home.
Rundell didn’t just build a world—she remembered it for us. Like she cracked open a secret door in the back of the wardrobe and said, “Here. You knew this place existed. You just forgot.”
Mal and Christopher are the archetypes of what we need more of: kids who ask hard questions, who risk safety for truth, who understand that saving the world means doing the work. And Rundell doesn’t flinch from the cost. There’s danger. There’s loss. But there’s also hope—and it’s earned, not gifted.
Christopher is the quiet heartbeat of Impossible Creatures. His magic isn’t mythical—it’s moral. And he’s the one who chooses to show up, again and again, even when the path is terrifying, even when he doesn’t fully understand what he’s stepping into. That kind of courage—the kind that’s rooted in loyalty, empathy, and instinct—is rare. And it’s beautiful.
And the way he never says no? That’s not just bravery—it’s deeply rooted love. For Gelifen, for Mal, for the Archipelago. He steps into the unknown not because he’s fearless, but because he cares. It captures something deep and ancient—like the Archipelago itself was waiting for Christopher, whispering his name through feathers and fur and wind. He didn’t stumble into destiny; he was claimed by it. Before he understood, before he agreed, before he even believed—the creatures knew. They saw the quiet strength, the kindness, the willingness to leap without asking why. That’s the kind of hero who stays with you long after the last page.
It’s rare in stories to see characters chosen not for power or prophecy, but for heart. And that’s why Mal and Christopher stays with us. They gave up their childhood innocence for something worth fighting for, accepted the quest, and they refused to be helpless. They are the kind of people the world needs more of—the kind who says yes, even when the cost is high, even when the path is unclear.
Rundell’s stories shimmer with strangeness—griffins, flying girls, impossible islands—but it’s the kindness that anchors them. Not just fleeting gestures, but the kind that demands courage, persistence, and sacrifice. She has this rare gift—she writes for young readers without ever condescending to them. Her language is lyrical, her ideas are layered, and her emotional truths are unflinching. She trusts her readers, no matter their age, to grapple with beauty and grief, with wonder and loss.
For the kind people: If you’ve ever felt the world growing colder, more cynical, more cruel—read this. Let it remind you that kindness must be taught, modeled, and fought for. That protecting innocence doesn’t mean shielding children from truth, but arming them with empathy and courage.
This book is a seed. Let’s plant it in every heart that still believes in impossible things.
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About the Author:
KATHERINE RUNDELL is the internationally bestselling author of Impossible Creatures. Her other books for children include Rooftoppers, Cartwheeling in Thunderstorms, The Wolf Wilder, The Explorer, and The Good Thieves. She grew up in Zimbabwe, Brussels, and London, and is currently a Fellow of St. Catherine’s College, Oxford. For adult readers, Rundell has written Vanishing Treasures: A Bestiary of Extraordinary Endangered Creatures and Super-Infinite: The Transformations of John Donne, which won the Baillie Gifford Prize for Non-Fiction. She was the recipient of the British Book Award for Book of the Year and Author of the Year.
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