BLACK SUN
Between Earth and Sky, Vol. 1BY REBECCA ROANHORSE | PUBLICATION: OCTOBER 13, 2020
SAGA PRESS | GENRE: EPIC FANTASY
RATING: ★★★★★
"Roanhorse has crafted a powerful series starter—one that feels both mythic and immediate."
When the earth and sky converge
Under the black sun
In the holy city of Tova, the winter solstice is usually a time for celebration and renewal, but this year it coincides with a solar eclipse, a rare celestial event proscribed by the Sun Priest as an unbalancing of the world.
Meanwhile, a ship launches from a distant city bound for Tova and set to arrive on the solstice. The captain of the ship, Xiala, is a disgraced Teek whose song can calm the waters around her as easily as it can warp a man’s mind. Her ship carries one passenger. Described as harmless, the passenger, Serapio, is a young man, blind, scarred, and cloaked in destiny. As Xiala well knows, when a man is described as harmless, he usually ends up being a villain.
Crafted with unforgettable characters, Rebecca Roanhorse has created an epic adventure exploring the decadence of power amidst the weight of history and the struggle of individuals swimming against the confines of society and their broken pasts in the most original series debut of the decade. -Goodreads
The worldbuilding is vast and vivid. As the first book in the Between Earth and Sky trilogy, it introduces readers to Meridian—a continent both strikingly unique and hauntingly familiar. From the textiles to cacao as currency, Roanhorse draws from Pre-Columbian Americas while weaving in hints of Polynesian culture. As someone whose heritage connects to the indigenous peoples of the Philippines, I found the echoes of seafaring, knife and pole fighting, and the sun-eating bird deeply resonant.
The plot is taut and fast-paced. From its propulsive opening to the cliffhanger ending, every scene builds emotional connection. Roanhorse’s grasp of political maneuvering is razor-sharp, evoking primal instincts of self-preservation and social justice. It’s a story that doesn’t just move—it provokes.
The ensemble cast is refreshingly inclusive—across race, gender, status, and ability. Social stigma has no place here. I was utterly enamored with the lead characters, each one fascinating and purposeful. They’re not just diverse—they’re dynamic, continually unfolding to reveal new facets of the world and its tensions. Romance, while abstract at times, is never unsatisfying. It’s tender, complex, and quietly heart-rending.
Every detail reveals deep research and thoughtful rumination. Roanhorse has crafted a powerful series starter—one that feels both mythic and immediate. And kudos to John Picacio for the stunning cover art I’m shamelessly coveting for my bookshelf.
This is a triumph, Ms. Rebecca. I see great outcomes for this series. Congratulations.
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